Monday, March 14, 2011
Both Your Trouble is Ballooning, and Diary of When Being With Friends Feels Like Watching TV are in print and available for purchase. Which is rad.
Brooklyn Copeland was kind enough to publish a poem of mine in her beautiful, hand-made lit chap Taiga which is available for purchase here. And you can read a short interview with me here. (And see a giant picture of my face.)
Also, I was interviewed for the poetry podcast "The Moe Green Discussion" and you can listen to it here. Or you can get it off itunes.
And finally, a selection from my sequence "Dutch Baby Combo" is being featured on No Tell Motel this week and I am super excited about it.
Wednesday, March 9, 2011
from "The First Sally (A) OR Trurl's Electronic Bard"
by Stanislaw Lem
"Trurl had once had the misfortune to build an enormous calculating machine that was capable of only one operation, namely the addition of two and two, and that it did incorrectly. As is related earlier in this volume, the machine also proved to be extremely stubborn, and the quarrel that ensued between it and its creator almost cost the latter his life. From that time on Klapaucius teased Trurl unmercifully, making comments at every opportunity, until Trurl decided to silence him once and for all by building a machine that could write poetry. First Trurl collected eight hundred and twenty tons of books on cybernetics and twelve thousand tons of the finest poetry, then sat down to read it all. Whenever he felt he just couldn't take another chart or equation, he would switch over to verse, and vice versa. After a while it became clear to him that the construction of the machine itself was child's play in comparison with the writing of the program. The program found in the head of an average poet, after all, was written by the poet's civilization, and that civilization was in turn programmed by the civilization that preceded it, and so on to the very Dawn of Time, when those bits of information that concerned the poet-to-be were still swirling about in the primordial chaos of the cosmic deep. Hence in order to program a poetry machine, one would first have to repeat the entire Universe from the beginning—or at least a good piece of it."
"During the next two weeks Trurl fed general instructions into his future electropoet, then set up all the necessary logic circuits, emotive elements, semantic centers. He was about to invite Klapaucius to attend a trial run, but thought better of it and started the machine himself. It immediately proceeded to deliver a lecture on the grinding of crystallo-graphical surfaces as an introduction to the study of sub-molecular magnetic anomalies. Trurl bypassed half the logic circuits and made the emotive more electromotive; the machine sobbed, went into hysterics, then finally said, blubbering terribly, what a cruel, cruel world this was. Trurl intensified the semantic fields and attached a strength of character component; the machine informed him that from now on he would carry out its every wish and to begin with add six floors to the nine it already had, so it could better meditate upon the meaning of existence. Trurl installed a philosophical throttle instead; the machine fell silent and sulked. Only after endless pleading and cajoling was he able to get it to recite something: "I had a little froggy." That appeared to exhaust its repertoire. Trurl adjusted, modulated, expostulated, disconnected, ran checks, reconnected, reset, did everything he could think of, and the machine presented him with a poem that made him thank heaven Klapaucius wasn't there to laugh—imagine, simulating the whole Universe from scratch, not to mention Civilization in every particular, and to end up with such dreadful doggerel! Trurl put in six cliche filters, but they snapped like matches; he had to make them out of pure corundum steel. This seemed to work, so he jacked the semanticity up all the way, plugged in an alternating rhyme generator—which nearly ruined everything, since the machine resolved to become a missionary among destitute tribes on far-flung planets. But at the very last minute, just as he was ready to give up and take a hammer to it, Trurl was struck by an inspiration; tossing out all the logic circuits, he replaced them with self-regulating egocentripetal narcissistors. The machine simpered a little, whimpered a little, laughed bitterly, complained of an awful pain on its third floor, said that in general it was fed up, through, life was beautiful but men were such beasts and how sorry they'd all be when it was dead and gone. Then it asked for pen and paper."
... and so it continues.